What to See in Bath - Top Sights and Attractions

Thermae in Bath, England. The Roman Baths are well-preserved thermae in the city of Bath, Somerset, England. A temple was constructed on the site between 60-70AD in the first few decades of Roman Britain. Its presence led to the development of the small Roman urban settlement known as Aquae Sulis around the site. The Roman baths—designed for public bathing—were used until the end of Roman rule in Britain in the 5th Century AD. According to the Anglo-Saxon Chronicle, the original Roman baths were in ruins a century later. The area around the natural springs was redeveloped several times during the Early and Late Middle Ages.

The Roman Baths are preserved in four main features: the Sacred Spring, the Roman Temple, the Roman Bath House, and a museum which holds artefacts from Aquae Sulis. However, all buildings at street level date from the 19th century. It is a major tourist attraction in the UK, and together with the Grand Pump Room, receives more than 1.3 million visitors annually. Visitors can tour the baths and museum but cannot enter the water.^[1]

Medieval building with a Gothic interior. Bath Abbey is a parish church of the Church of England and former Benedictine monastery in Bath, Somerset, England. Founded in the 7th century, it was reorganised in the 10th century and rebuilt in the 12th and 16th centuries; major restoration work was carried out by Sir George Gilbert Scott in the 1860s. It is one of the largest examples of Perpendicular Gothic architecture in the West Country. The medieval abbey church served as a sometime cathedral of a bishop. After long contention between churchmen in Bath and Wells the seat of the Diocese of Bath and Wells was later consolidated at Wells Cathedral. The Benedictine community was dissolved in 1539 during the Dissolution of the Monasteries.

The church architecture is cruciform in plan and can seat up to 1,200 patrons. An active place of worship, it also hosts civic ceremonies, concerts and lectures. There is a heritage museum in the cellars.

The abbey is a Grade I listed building, particularly noted for its fan vaulting. It contains war memorials for the local population and monuments to several notable people, in the form of wall and floor plaques and commemorative stained glass. The church has two organs and a peal of ten bells. The west front includes sculptures of angels climbing to heaven on two stone ladders, representing Jacob's Ladder.^[2]

Building complex. The Royal Crescent is a row of 30 terraced houses laid out in a sweeping crescent in the city of Bath, England. Designed by the architect John Wood, the Younger and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a Grade I listed building. Although some changes have been made to the various interiors over the years, the Georgian stone facade remains much as it was when first built.

The 500-foot-long (150 m) crescent has 114 Ionic columns on the first floor with an entablature in a Palladian style above. It was the first crescent of terraced houses to be built and an example of "rus in urbe" (the country in the city) with its views over the parkland opposite.

Many notable people have either lived or stayed in the Royal Crescent since it was built over 240 years ago, and some are commemorated on special plaques attached to the relevant buildings. Of the crescent's 30 townhouses, 10 are still full-size townhouses; 18 have been split into flats of various sizes; one is the No. 1 Royal Crescent museum and the large central house at number 16 is The Royal Crescent Hotel & Spa.^[3]

Picturesque bridge lined with shops. Pulteney Bridge is a bridge over the River Avon in Bath, England. It was completed by 1774, and connected the city with the land of the Pulteney family which it wished to develop. Designed by Robert Adam in a Palladian style, it is highly unusual in that it has shops built across its full span on both sides. It has been designated as a Grade I listed building.

Within 20 years of its construction, alterations were made that expanded the shops and changed the façades. By the end of the 18th century it had been damaged by floods, but was rebuilt to a similar design. Over the next century alterations to the shops included cantilevered extensions on the bridge's north face. In the 20th century several schemes were carried out to preserve the bridge and partially return it to its original appearance, enhancing its appeal as a tourist attraction.

The bridge is now 45 metres (148 ft) long and 18 metres (58 ft) wide. Although there have been plans to pedestrianise the bridge, it is still used by buses and taxis. The much photographed bridge and weir below are close to the centre of the city, a World Heritage Site, renowned for its Georgian architecture.^[6]

Sports ground in Bath, England. The Recreation Ground is a large open space in the centre of Bath, England, next to the River Avon, which is available to be used by permission from the Recreation Ground Trust for recreational purposes by the public at large but particularly the people of Bath and surrounding areas.

About a quarter of the Rec is leased to Bath Rugby during the rugby union season as a sports ground capable of holding 14,500 people. During the summer the rugby ground's temporary East Stand is removed to make way for cricket on a larger pitch. This cricket pitch is used for local contests and was used by Somerset County Cricket Club until 2011. Parts of the eastern area of the Rec are used by Bath Hockey Club, Bath Croquet Club, Bath Drama Club, Bath Quidditch Club and for some tennis courts. Pitches are available for amateur sports such as Football, Volleyball and Lacrosse. There is a cricket pavilion at the William Street entrance to the ground. The council-run Sports and Leisure Centre is located on the southern edge of the Rec, accessed via North Parade.

In former years the Rec was subject to periodic flooding from the River Avon, but a flood alleviation scheme in the 1960s improved the flow of the river. However, the Rec remains part of the floodplain at risk of occasional flooding. The ground can still get very boggy after heavy rains.^[7]

Park in Bath, England. Royal Victoria Park is located in Bath, England. It was opened in 1830 by the 11-year-old Princess Victoria seven years before her ascension to the throne and was the first park to carry her name, with an obelisk dedicated to her. It was privately run as part of the Victorian public park movement until 1921 when it was taken over by the Bath Corporation.

The park is overlooked by the Royal Crescent and consists of 57 acres (231,000 m²) with attractions that include a skateboard ramp, tennis, bowling and putting green and 12 and 18 hole golf course, open-air concerts, a large children's play area and a 9-acre (36,000 m²) botanical garden. Seasonal attractions include carnival fairs and hosted events.

It has received a Green Flag award, the national standard for parks and green spaces in England and Wales and is Grade I registered by Historic England on the National Register of Historic Parks and Gardens.^[9]

Museum in Bath, England. The Bath Postal Museum is in Bath, Somerset, England.

The museum was founded in 1979 by Audrey and Harold Swindells in the basement of their house in Great Pulteney Street. In 1985, it moved to a home in Broad Street. This was the site of Bath's main Post Office from 1822 to 1854 and the building in which the first recorded posting of a Penny Black took place on 2 May 1840. It has been designated by English Heritage as a grade II listed building.

The museum's collections include: biographies of key figures involved with the development of the Post Office and connected with Bath, such as Ralph Allen, John Palmer and Thomas Moore Musgrave; a history of the post from 2000BC to the current day and a history of the British postbox.

Artefacts on display included quills and ink wells, stamp boxes, post boxes, post horns, clay tablets, strip maps, model mail coaches, and letters and postcards. There was also a replica Victorian post office.

Due to vastly increased rent from 2003, the museum had to move out of the Broad Street building and on 7 November 2006 it reopened on a much smaller scale in the basement of the post office building at 27 Northgate Street.^[11]

Theatre in Bath, England. The Theatre Royal in Bath, England, was built in 1805. A Grade II* listed building, it has been described by the Theatres Trust as "One of the most important surviving examples of Georgian theatre architecture". It has a capacity for an audience of around 900.

The Theatre Royal was built to replace the Old Orchard Street Theatre, funded by a Tontine and elaborately decorated. The architect was George Dance the Younger, with John Palmer carrying out much of the work. It opened with a performance of Shakespeare's Richard III and hosted performances by many leading actors of the time including Dorothea Jordan, William Macready and Edmund Kean. A major fire in 1862 destroyed the interior of the building and was quickly followed by a rebuilding programme by Charles J. Phipps, which included the construction of the current entrance. Further redecoration was undertaken in 1892; more extensive building work, including a new staircase and the installation of electric lighting, followed in 1902. Despite performances by casts including Sarah Bernhardt, the ballerina Anna Pavlova and Mrs. Patrick Campbell, the theatre was rarely very profitable. During World War II Donald Wolfit, Irene Vanbrugh, John Gielgud and Sybil Thorndike appeared, with shows including Noël Coward's Private Lives and Blithe Spirit, a performance by Ballet Rambert and light entertainment such as Charley's Aunt, but audiences declined.

In 1979 the theatre was bought by a trust and, following public donations, it underwent refurbishment, with the rebuilding of the stage and the installation of a new taller fly tower for scenery and lighting. In 1997 a new 120-seat theatre, known as the Ustinov Studio, was opened. Further restoration work to the main auditorium was needed in 2010. In 2005 a children's theatre known as The Egg was opened. The complex also includes bars and restaurants.^[13]

Building in Bath, England. Thermae Bath Spa is a combination of the historic spa and a contemporary building in the city of Bath, England, and reopened in 2006. Bath and North East Somerset council own the buildings, and, as decreed in a Royal Charter of 1590, are the guardians of the spring waters, which are the only naturally hot, mineral-rich waters in the UK. The Spa is operated by YTL Hotels.

The main spa building, the New Royal Bath, was designed by Grimshaw Architects and is constructed in Bath stone, enclosed by a glass envelope. It has two natural thermal baths, an open-air rooftop pool and an indoor pool, and a large Wellness Suite with two aromatic steam rooms, an Ice Chamber, Infrared Sauna and a Celestial Relaxation Room. It also has a cafe, three relaxation areas, and 27 spa treatment rooms, including the 18th century Hot Bath, in which water-based massage such as Watsu takes place. The separate Cross Bath is a grade I listed Georgian building containing one open-air thermal bath.^[15]

Park in Bath, England. Sydney Gardens is a public open space at the end of Great Pulteney Street in Bath, Somerset, England. The gardens are the only remaining eighteenth-century pleasure gardens in the country. They are Grade II listed on the Register of Historic Parks and Gardens of special historic interest in England.

The gardens were laid out in the 1790s, to plans by Thomas Baldwin which were completed by Charles Harcourt Masters, as a commercial pleasure garden with a variety of attractions. Features included a maze, grotto, sham castle and an artificial rural scene with moving figures powered by a clockwork mechanism. Events included promenades and public breakfasts which were attended by Jane Austen among others. It was also the venue for an annual flower show. The layout was affected by the construction of the Kennet & Avon Canal in 1810 and the Great Western Railway in 1840 which pass through the park. The gardens later fell into decline. In 1908, the site was bought by the local council and reopened as a park. Since 2015, work has been undertaken to improve the environment of the park and provide additional attractions for visitors.

The Sydney Hotel, which was built with the gardens, was the centre for entertainment. It is now the Holburne Museum. Other structures including the walls and bridges connected with the canal and railway are listed buildings along with small buildings now known as the pavilion and Minerva's temple and the public conveniences.^[18]

Historical landmark in England. Dundas Aqueduct carries the Kennet and Avon Canal over the River Avon and the Wessex Main Line railway from Bath to Westbury. The aqueduct is near Monkton Combe, Somerset, and is about 2+1⁄2 miles southeast of the city of Bath.

It was designed by John Rennie and chief engineer John Thomas between 1797 and 1801, and completed in 1805. James McIlquham was appointed contractor. It is named after Charles Dundas, the first chairman of the Kennet and Avon Canal Company. The aqueduct is 150 yards (137.2 m) long with three arches built of Bath Stone, with Doric pilasters, and balustrades at each end. The central semi-circular arch spans 64 feet (19.5 m); the two oval side arches span 20 feet (6.1 m).

The canal crosses back across the Avon and the railway on another aqueduct at Avoncliff. This diversion onto the right bank of the Avon avoids the steep sides of the river valley at Limpley Stoke, and the need to cross the Midford Brook and River Frome.

It is a Grade I listed building, and was the first canal structure to be designated as a Scheduled Ancient Monument in 1951.

Over many years, leaks had developed and the aqueduct was closed in 1954. For a while in the 1960s and 1970s, the canal was dry and it was possible to walk along the bed on each side of the river, as well as through the aqueduct itself. The aqueduct was relined with polythene and concrete and restored, reopening in 1984. Care was taken not to disturb a colony of bats living under the aqueduct.

The aqueduct is also the junction between the Kennet and Avon Canal and the largely derelict Somerset Coal Canal. The short stretch of the Somerset Coal Canal still in water forms Brassknocker Basin, used for boat moorings, cycle hire and a cafe, and is next to Dundas Wharf where the small tollhouse, warehouse and crane still stand. The stretch of river below and above the aqueduct is used by Monkton Combe School Boat Club (Monkton Bluefriars) up to six days a week, since at least the 1960s. At the opposite (Wiltshire) end of the aqueduct a wharf was constructed serving the Conkwell stone quarries.

Between 2002 and 2004 further restoration was undertaken, which included replacing engineering bricks used by GWR with Bath Stone to match the original work.

In 2015, the railway below the aqueduct was lowered to allow the route to be used as a diversionary route for freight trains in the future. Network Rail published a time-lapse video of the work.^[20]

18th-century park with Palladian bridges. Prior Park Landscape Garden surrounding the Prior Park estate south of Bath, Somerset, England, was designed in the 18th century by the poet Alexander Pope and the landscape gardener Capability Brown, and is now owned by the National Trust. The garden was influential in defining the style known as the "English landscape garden" in continental Europe. The garden is Grade I listed in the Register of Historic Parks and Gardens of special historic interest in England.

Around 1100 the site was part of a deer park set out by the Bishop of Bath and Wells John of Tours. In 1720s it was bought by Ralph Allen and landscaped to complement his new house. Further development was undertaken after the house became a seminary and then a Roman Catholic grammar school (which later became Prior Park College). In the 1990s 11.3 hectares (28 acres) of the park and pleasure grounds were acquired by the National Trust and a large scale restoration undertaken. Features of Prior Park Landscape Garden include a Palladian architecture bridge, lake and ancillary buildings.^[22]

Building. Prior Park is a Neo-Palladian house that was designed by John Wood, the Elder, and built in the 1730s and 1740s for Ralph Allen on a hill overlooking Bath, Somerset, England. It has been designated as a Grade I listed building.

The house was built in part to demonstrate the properties of Bath stone as a building material. The design followed work by Andrea Palladio and was influenced by drawings originally made by Colen Campbell for Wanstead House in Essex as well as the twelve sided plan form of the Roman theatre (of which the house's natural setting reminded Wood). The main block had 15 bays and each of the wings 17 bays each. The surrounding parkland had been laid out in 1100 but following the purchase of the land by Allen 11.3 hectares (28 acres) were established as a landscape garden. Features in the garden include a bridge covered by Palladian arches, which is also Grade I listed.

Following Allen's death the estate passed down through his family. In 1828, Bishop Baines bought it for use as a Roman Catholic College. The house was then extended and a chapel and gymnasium built by Henry Goodridge. The house is now used by Prior Park College and the surrounding parkland owned by the National Trust.^[23]

Museum in Bath, England. The Museum of Bath at Work is a local history museum in Bath, Somerset, England.

The museum was established in 1978 as the Bath Industrial Heritage Trust. Its original collection consisted of a reconstruction of the nineteenth century engineering and mineral water business of Jonathan Burdett Bowler, founded in 1872. When the Bowler firm closed in 1969 its contents were bought by a local businessman with the express intention of founding a museum. Photographs taken of the original business were used to carefully reconstruct the shop, workshops, offices and bottling plant. Over 10,000 bottles and many thousands of documents were also saved.

Today, the museum seeks to present the commercial development of Bath over a 2000-year period. In addition to the Bowler collection, other reconstructions include a cabinet maker's workshop and a Bath stone quarry face complete with crane and tools. In 1999 a rare 1914 Horstmann car was acquired, and, in 2003, a comprehensive exhibition on Bath's development, 'Bath at Work: 2000 Years of Earning a Living' opened. A local history display in the Hudson Gallery opened in 2007 and features an ever-changing display of photographs. In 2007 the museum acquired a rare Griffin six-stroke gas engine, that had been in storage in Yeovil, Somerset, after having been moved from London in 2001. It was built in 1885 and for some years was in the Birmingham Museum of Science and Technology. It is one of only two known examples, the other being in the Anson Engine Museum.

The museum is housed in the Camden Works building, constructed in 1777 as a court for the indoor game of real tennis.^[25]

Building in Bath, England. The Bath Assembly Rooms, designed by John Wood the Younger in 1769, are a set of assembly rooms located in the heart of the World Heritage City of Bath in England which are now open to the public as a visitor attraction. They are designated as a Grade I listed building.

During the Georgian era Bath became fashionable, and the architects John Wood, the Elder, and his son laid out new areas of housing for residents and visitors. Assembly rooms had been built early in the 18th century, but a new venue for balls, concerts and gambling was envisaged in the area between Queen Square, The Circus and the Royal Crescent. Robert Adam submitted a proposal that was rejected as too expensive. John Wood, the Younger raised funding through a tontine, and construction started in 1769. The new or upper assembly rooms opened with a grand ball in 1771 and became the hub of fashionable society, being frequented by Jane Austen and Charles Dickens, along with the nobility of the time.

The building, made of Bath stone, is arranged in a U shape. There are four main function rooms in the complex: the 100-foot-long (30 m) ballroom — the largest Georgian interior in Bath; the tea room; the card room; and the octagon. The rooms have Whitefriars crystal chandeliers and are decorated with fine art.

In the 20th century they were used as a cinema and in 1931 were taken over by the Society for the Protection of Ancient Buildings and restored. They were bombed and burnt out during the Second World War, with restoration undertaken by Sir Albert Richardson before reopening in 1963. They are now owned by the National Trust and operated by Bath and North East Somerset Council for public functions. The basement of the building provides a home to the Fashion Museum.^[26]

Queen Square is a square of Georgian houses in the city of Bath, England. Queen Square is the first element in "the most important architectural sequence in Bath", which includes the Circus and the Royal Crescent. All of the buildings which make up the square are Grade I listed.

The original development was undertaken by John Wood, the Elder in the early 18th century. He designed the building frontages following the rules of Palladian architecture and then sub-let to individual builders to put up the rest of the buildings. The obelisk in the centre of the square was erected by Beau Nash in 1738 in honour of Frederick, Prince of Wales.

During World War II several buildings on the south side of the square were damaged by bombing during the Bath Blitz. Following restoration many of the buildings are now offices with the west side housing the Bath Royal Literary and Scientific Institution and on the south side the Francis Hotel.^[30]

Theatre in Bath, England. The Mission Theatre is a theatre in Bath, England.

In 2004, the Next Stage Theatre Company took possession of a grade II listed building originally built as a Congregational hall in 1797. During World War II the building was used by Air Raid Wardens. It was used by The People's Mission until 1998, when building work began to convert it into a theatre.

It is now owned by the Bath and North East Somerset Council, which has granted a lease to occupy and use the building as a 100-seat theatre, arts centre and multi-purpose facility for community activities.

On the first floor there is a small 30-seat theatre (The Theatre Upstairs) and a Bistro open during the day and providing meals before performances in the theatre.^[31]

Museum in Bath, England. The Museum of East Asian Art or MEAA is in Bennett Street, Bath, Somerset, England.

Just a few metres off The Circus in central Bath, the Museum of East Asian Art is situated in a restored Georgian house. Its collection includesceramics, jades, bronzes and bamboo carvings and more, from China, Japan, Korea and Southeast Asia. It is the only museum in the United Kingdom dedicated solely to arts and cultures of East and Southeast Asia.

It houses a collection of almost 2,000 objects, ranging in date from c.5000 BCE to the present day. The Museum's collection started from the collection of Brian McElney, a retired solicitor who practised in Hong Kong for over 35 years, and has since been expanded.^[34]

Cemetery in Bath, England. Locksbrook Cemetery is a municipal cemetery located in Lower Weston, Bath, England. It was opened in 1864 as Walcot Cemetery, and occupies 12 acres, originally serving the parishes of Walcot, Weston and St Saviour's. The cemetery was closed for general use in 1937 with over 30,000 interments there, though additional burials in existing graves continue. The majority of the cemetery was for about 29,500 burials from Walcot parish, with the north of the cemetery for Weston and St Saviour parishes.

Nowadays it is designated as a 'Nature Conservation Site' by Bath and North East Somerset council, its owners. The cemetery has several unusual species of tree including Phillyrea latifolia, Sequoiadendron giganteum, Ailanthus altissima, Thuja plicata and Japanese Cherry.^[35]