What to See in Italy - Top Sights and Attractions

Iconic ancient Roman gladiatorial arena. The Colosseum is an oval amphitheatre in the centre of the city of Rome, Italy, just east of the Roman Forum. It is the largest ancient amphitheatre ever built, and is still the largest standing amphitheatre in the world today, despite its age. Construction began under the emperor Vespasian in 72 and was completed in 80 AD under his successor and heir, Titus. Further modifications were made during the reign of Domitian. The three emperors that were patrons of the work are known as the Flavian dynasty, and the amphitheatre was named the Flavian Amphitheatre by later classicists and archaeologists for its association with their family name.

The Colosseum is built of travertine limestone, tuff (volcanic rock), and brick-faced concrete. It could hold an estimated 50,000 to 80,000 spectators at various points in its history, having an average audience of some 65,000; it was used for gladiatorial contests and public spectacles including animal hunts, executions, re-enactments of famous battles, and dramas based on Roman mythology, and briefly mock sea battles. The building ceased to be used for entertainment in the early medieval era. It was later reused for such purposes as housing, workshops, quarters for a religious order, a fortress, a quarry, and a Christian shrine.

Although substantially ruined because of earthquakes and stone-robbers (for spolia), the Colosseum is still an iconic symbol of Imperial Rome and was listed as one of the New7Wonders of the World. It is one of Rome's most popular tourist attractions and also has links to the Roman Catholic Church, as each Good Friday the Pope leads a torchlit "Way of the Cross" procession that starts in the area around the Colosseum. The Colosseum is depicted on the Italian version of the five-cent euro coin.^[1]

World’s largest basilica of Christianity. The Papal Basilica of Saint Peter in the Vatican, or simply Saint Peter's Basilica, is a church built in the Renaissance style located in Vatican City, the papal enclave that is within the city of Rome, Italy. It was initially planned by Pope Nicholas V and then Pope Julius II to replace the aging Old St. Peter's Basilica, which was built in the fourth century by Roman emperor Constantine the Great. Construction of the present basilica began on 18 April 1506 and was completed on 18 November 1626.

Designed principally by Donato Bramante, Michelangelo, Carlo Maderno and Gian Lorenzo Bernini, St. Peter's is the most renowned work of Renaissance architecture and the largest church in the world by interior measure. While it is neither the mother church of the Catholic Church nor the cathedral of the Diocese of Rome (these equivalent titles being held by the Archbasilica of Saint John Lateran in Rome), St. Peter's is regarded as one of the holiest Catholic shrines. It has been described as "holding a unique position in the Christian world" and as "the greatest of all churches of Christendom."

Catholic tradition holds that the basilica is the burial site of Saint Peter, chief among Jesus's apostles and also the first Bishop of Rome (Pope). Saint Peter's tomb is supposedly directly below the high altar of the basilica, also known as the Altar of the Confession. For this reason, many popes have been interred at St. Peter's since the Early Christian period.

St. Peter's is famous as a place of pilgrimage and for its liturgical functions. The pope presides at a number of liturgies throughout the year both within the basilica or the adjoining St. Peter's Square; these liturgies draw audiences numbering from 15,000 to over 80,000 people. St. Peter's has many historical associations, with the Early Christian Church, the Papacy, the Protestant Reformation and Catholic Counter-reformation and numerous artists, especially Michelangelo. As a work of architecture, it is regarded as the greatest building of its age. St. Peter's is one of the four churches in the world that hold the rank of Major papal basilica, all four of which are in Rome, and is also one of the Seven Pilgrim Churches of Rome. Contrary to popular misconception, it is not a cathedral because it is not the seat of a bishop; the cathedra of the pope as Bishop of Rome is at Saint John Lateran.^[2]

Cathedral in Rome, Italy. The Cathedral of the Most Holy Savior and of Saints John the Baptist and John the Evangelist in the Lateran, also known as the Papal Archbasilica of Saint John Lateran, Saint John Lateran, or the Lateran Basilica, is the cathedral church of the Diocese of Rome in the city of Rome, and serves as the seat of the bishop of Rome, the pope. The archbasilica lies outside of Vatican City proper, which is located approximately 4 kilometres to the northwest. Nevertheless, as properties of the Holy See, the archbasilica and its adjoining edifices enjoy an extraterritorial status from Italy, pursuant to the terms of the Lateran Treaty of 1929.

The church is the oldest and highest ranking of the four major papal basilicas as well as one of the Seven Pilgrim Churches of Rome, holding the unique title of "archbasilica". Originally founded in 324, it is the oldest public church in the city of Rome, and the oldest basilica of the Western world. It houses the cathedra of the Roman bishop, and has the title of ecumenical mother church of the Roman Catholic faithful. The building deteriorated during the Middle Ages and was badly damaged by two fires in the 14th century. It was rebuilt in the late 16th century during the reign of Pope Sixtus V. The new structure's interior was renovated in the late 17th century, and its façade was completed in 1735 under Pope Clement XII.

The current rector is Cardinal Archpriest Angelo De Donatis, Vicar General for the Diocese of Rome. The President of the French Republic, currently Emmanuel Macron, is ex officio the "First and Only Honorary Canon" of the archbasilica, a title that the heads of state of France have possessed since King Henry IV.

The large Latin inscription on the façade reads: Clemens XII Pont Max Anno V Christo Salvatori In Hon SS Ioan Bapt et Evang. This abbreviated inscription translates as: "Pope Clement XII, in the fifth year to Christ the Savior, in honor of Saints John the Baptist and the Evangelist". The inscription indicates, with its full title (see below), that the archbasilica was originally dedicated to Christ the Savior and, centuries later, co-dedicated to Saint John the Baptist and Saint John the Evangelist. Christ the Savior remains its primary dedication, and its titular feast day is 6 August, the Transfiguration of Christ. As the Cathedral of the Pope as Bishop of Rome, it ranks superior to all other churches of the Roman Catholic Church, including Saint Peter's Basilica.^[3]

Landmark marble-clad religious monument. The Florence Baptistery, also known as the Baptistery of Saint John, is a religious building in Florence, Italy, and has the status of a minor basilica. The octagonal baptistery stands in both the Piazza del Duomo and the Piazza San Giovanni, across from Florence Cathedral and the Campanile di Giotto.

The Baptistery is one of the oldest buildings in the city, constructed between 1059 and 1128 in the Florentine Romanesque style. Although the Florentine style did not spread across Italy as widely as the Pisan Romanesque or Lombard styles, its influence was decisive for the subsequent development of architecture, as it formed the basis from which Francesco Talenti, Leon Battista Alberti, Filippo Brunelleschi, and other master architects of their time created Renaissance architecture. In the case of the Florentine Romanesque, one can speak of "proto-renaissance", but at the same time an extreme survival of the late antique architectural tradition in Italy, as in the cases of the Basilica of San Salvatore, Spoleto, the Temple of Clitumnus, and the church of Sant'Alessandro in Lucca.

The Baptistery is renowned for its three sets of artistically important bronze doors with relief sculptures. The south doors were created by Andrea Pisano and the north and east doors by Lorenzo Ghiberti. Michelangelo dubbed the east doors the Gates of Paradise.

The Italian poet Dante Alighieri and many other notable Renaissance figures, including members of the Medici family, were baptized in this baptistery.

The building contains the monumental tomb of Antipope John XXIII, by Donatello.^[4]

Art museum with Renaissance masterpieces. The Uffizi Gallery is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of the largest and best known in the world and holds a collection of priceless works, particularly from the period of the Italian Renaissance.

After the ruling House of Medici died out, their art collections were given to the city of Florence under the famous Patto di famiglia negotiated by Anna Maria Luisa, the last Medici heiress. The Uffizi is one of the first modern museums. The gallery had been open to visitors by request since the sixteenth century, and in 1765 it was officially opened to the public, formally becoming a museum in 1865.^[5]

Iconic 1600s church with a vast cupola. Santa Maria della Salute, commonly known simply as the Salute, is a Roman Catholic church and minor basilica located at Punta della Dogana in the Dorsoduro sestiere of the city of Venice, Italy.

It stands on the narrow finger of Punta della Dogana, between the Grand Canal and the Giudecca Canal, at the Bacino di San Marco, making the church visible when entering the Piazza San Marco from the water. The Salute is part of the parish of the Gesuati and is the most recent of the so-called plague churches.

In 1630, Venice experienced an unusually devastating outbreak of the plague. As a votive offering for the city's deliverance from the pestilence, the Republic of Venice vowed to build and dedicate a church to Our Lady of Health. The church was designed in the then fashionable Baroque style by Baldassare Longhena, who studied under the architect Vincenzo Scamozzi. Construction began in 1631. Most of the objects of art housed in the church bear references to the Black Death.

The dome of the Salute was an important addition to the Venice skyline and soon became emblematic of the city, inspiring artists such as Canaletto, J. M. W. Turner, John Singer Sargent, and the Venetian artist Francesco Guardi.^[8]

Medieval stone bridge with jewelry shops. The Ponte Vecchio is a medieval stone closed-spandrel segmental arch bridge over the Arno River, in Florence, Italy. It is noted for the shops built along it; building shops on such bridges was once a common practice. Butchers, tanners, and farmers initially occupied the shops; the present tenants are jewelers, art dealers, and souvenir sellers. The Ponte Vecchio's two neighboring bridges are the Ponte Santa Trinita and the Ponte alle Grazie.

The bridge connects via Por Santa Maria (Lungarno degli Acciaiuoli and Lungarno degli Archibusieri) to via de 'Guicciardini (Borgo San Jacopo and via de' Bardi).

The name was given to what was the oldest Florentine bridge when the bridge to the Carraia was built, then called "Ponte Nuovo" in contrast to the pons Vetus. Beyond the historical value, the bridge over time has played a central role in the city road system, starting from when it connected the Roman Florentia with the Via Cassia Nuova commissioned by the emperor Hadrian in 123 AD.

In contemporary times, despite being closed to vehicular traffic, the bridge is crossed by a considerable pedestrian flow generated both by the notoriety of the place itself and by the fact that it connects places of high tourist interest on the two banks of the river: piazza del Duomo, piazza della Signoria on one side with the area of Palazzo Pitti and Santo Spirito in the Oltrarno.

The bridge appears in the list drawn up in 1901 by the General Directorate of Antiquities and Fine Arts, as a monumental building to be considered national artistic heritage.^[9]

Ornate 14th-century tower with a tilt. The Leaning Tower of Pisa, or simply, the Tower of Pisa, is the campanile, or freestanding bell tower, of Pisa Cathedral. It is known for its nearly four-degree lean, the result of an unstable foundation. The tower is one of three structures in the Pisa's Cathedral Square, which includes the cathedral and Pisa Baptistry.

The height of the tower is 55.86 metres (183 feet 3 inches) from the ground on the low side and 56.67 m (185 ft 11 in) on the high side. The width of the walls at the base is 2.44 m (8 ft 0 in). Its weight is estimated at 14,500 tonnes (16,000 short tons). The tower has 296 or 294 steps; the seventh floor has two fewer steps on the north-facing staircase.

The tower began to lean during construction in the 12th century, due to soft ground which could not properly support the structure's weight. It worsened through the completion of construction in the 14th century. By 1990, the tilt had reached 5.5 degrees. The structure was stabilized by remedial work between 1993 and 2001, which reduced the tilt to 3.97 degrees.^[10]

Romanesque-Gothic cathedral with mosaics. Siena Cathedral is a medieval church in Siena, Italy, dedicated from its earliest days as a Roman Catholic Marian church, and now dedicated to the Assumption of Mary.

It was the episcopal seat of the Diocese of Siena, and from the 15th century that of the Archdiocese of Siena. It is now the seat of the Archdiocese of Siena-Colle di Val d'Elsa-Montalcino.

The cathedral was designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower. The dome rises from a hexagonal base with supporting columns. The dome was completed in 1264. The lantern atop the dome was added by Gian Lorenzo Bernini. The bell tower has six bells, where the oldest one was cast in 1149. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with the addition of red marble on the façade. Black and white are the symbolic colors of Siena, etiologically linked to black and white horses of the legendary city's founders, Senius and Aschius. There are thirty-five statues of prophets and patriarchs grouped around the virgin. The finest Italian artists of that era completed works in the cathedral. These artists were Nicola and Giovanni Pisano, Donatello, Pinturicchio, Lorenzo Ghiberti, and Bernini.^[16]

Museum. The Gallerie di Piazza Scala is a modern and contemporary museum in Milan, Italy. Located in Piazza della Scala in the Palazzo Brentani and the Palazzo Anguissola, it hosts 195 artworks from the collections of Fondazione Cariplo with a strong representation of nineteenth century Lombard painters and sculptors, including Antonio Canova and Umberto Boccioni. A new section was opened in the Palazzo della Banca Commerciale Italiana on October 25, 2012 with 189 art works from the twentieth century.

During the 2017 Corporate Art Awards Ceremony hosted by the President of the Italian Republic Sergio Mattarella at the Quirinal Palace, Gallerie di Piazza Scala received a special award as “Patron of the XXI century”.^[19]

Historical place in Genoa, Italy. Genoa: Le Strade Nuove and the system of the Palazzi dei Rolli is a UNESCO World Heritage Site which includes a number of streets and palaces in the center of Genoa, in Northwestern Italy.

• The Strade Nuove are a group of streets built by the Genoese aristocracy during the expansion of the city at a time when the Republic of Genoa was at the height of its financial and seafaring power. These are Via Giuseppe Garibaldi and Via Balbi, later followed by Via Cairoli.
• The Palazzi dei Rolli are a group of palaces - most of which also date from the late 16th and early 17th centuries - which were associated to a particular system of ‘public lodging’ in private residences, whereby notable guests on State visit to the Republic were hosted in one of these palaces on behalf of the State.

On 13 July 13, 2006, forty-two of the 163 palaces originally included in one the five public list called "Rolli" were selected as a World Heritage Site by the UNESCO special committee meeting in Vilnius. The site includes an ensemble of Renaissance and Baroque palaces along the so-called ‘new streets’, which offer an extraordinary variety of different solutions, achieving universal value in adapting to the particular characteristics of the site and to the requirements of a specific social and economic organization. They also offer an original example of a public network of private residences designated to host state visits.

On January 20, 2007, UNESCO unveiled a plaque in via Garibaldi, the former Strada Nuova, explaining the reasons for inclusion of the Strade Nuove and the system of the Palazzi dei Rolli within the World Heritage Sites:

The largest homes, various in shape and distribution, that were chosen at random in the lists to host visits of state. The buildings, often built on sloping land, formed of a stepped atrium - courtyard - staircase - garden and rich interior decorations, express a singular social and economic identity and commencement of modern age urban architecture in Europe.

Some of the Palazzi dei Rolli are used today as public buildings, museums, offices and private residences. Among the palaces open to the public, Palazzo Rosso, Palazzo Bianco and Palazzo Doria Tursi jointly constitute the Strada Nuova Museums located in via Garibaldi.^[20]

Prominent landmark with cinema museum. The Mole Antonelliana is a major landmark building in Turin, Italy, named after its architect, Alessandro Antonelli. A mole in Italian is a building of monumental proportions.

Construction began in 1863, soon after Italian unification, and was completed in 1889, after the architect's death. Originally conceived of as a synagogue, it now houses the National Museum of Cinema, and is believed to be the tallest museum in the world. A representation of the building is featured on the obverse of the Italian 2 euro cent coin. Catalan vaults are featured in the ceiling of the ground floor under the atrium, which are relatively rare in Italy but popular in Spain, where they originated.^[22]

Museum in Italy. The National Museum of San Martino is a museum opened to the public in Naples in 1866, after the unification of Italy, after the Charterhouse included among the suppressed ecclesiastical assets, was declared a national monument.

By the will of the Neapolitan archaeologist Giuseppe Fiorelli, the rooms were intended to collect in a museum evidence of the life of Naples and the southern Kingdoms (Kingdom of Naples and Kingdom of Sicily first and the Kingdom of the Two Sicilies after). The museum, which is spread over two levels, is accessed from the two cloisters of the charterhouse.

Since December 2014, the Ministry of Cultural Heritage and Activities has been managing the museum and charterhouse through the Campania museum complex, which in December 2019 became the Regional Directorate for Museums.^[34]

Medieval chapel lined with frescoes. The Scrovegni Chapel, also known as the Arena Chapel, is a small church, adjacent to the Augustinian monastery, the Monastero degli Eremitani in Padua, region of Veneto, Italy. The chapel and monastery are now part of the complex of the Museo Civico of Padua.

The chapel contains a fresco cycle by Giotto, completed about 1305 and considered to be an important masterpiece of Western art. In 2021, the chapel was declared part of the UNESCO World Heritage Site of the 14th-century fresco cycles comprehending 8 historical buildings in Padua city centre. Specifically the Scrovegni Chapel contains the most important frescoes that marked the beginning of a revolution in mural painting and influenced fresco technique, style, and content for a whole century.^[41]

Church famous for its mosaic works. The Palatine Chapel is the royal chapel of the Norman Palace in Palermo, Sicily. This building is a mixture of Byzantine, Norman and Fatimid architectural styles, showing the tricultural state of Sicily during the 12th century after Roger I and Robert Guiscard conquered the island.

Also referred to as a Palace church or Palace chapel, it was commissioned by Roger II of Sicily in 1132 to be built upon an older chapel (now the crypt) constructed around 1080. It took eight years to build, receiving a royal charter the same year, with the mosaics being only partially finished by 1143. The sanctuary, dedicated to Saint Peter, is reminiscent of a domed basilica. It has three apses, as is usual in Byzantine architecture, with six pointed arches (three on each side of the central nave) resting on recycled classical columns. The muqarnas ceiling of the nave and the chapel's rectilinear form show the Fatimid influence in the building's construction^[42]

Multi-purpose stadium in Bologna, Italy. Stadio Renato Dall'Ara is a multi-purpose stadium in Bologna, Italy. It is currently used mostly for football matches and the home of Bologna F.C. 1909. The stadium was built in 1927 and holds 38,279. It has also been named Stadio Littoriale. It replaced the Stadio Sterlino. The stadium is named after Renato Dall'Ara, a former president of Bologna for thirty years.

The stadium hosted matches in both the 1934 FIFA World Cup and the 1990 FIFA World Cup. The last match of the tournament played there was the England vs Belgium match in the Round of 16 which ended 1–0 courtesy of an extra-time goal scored by David Platt in the 119th minute.

Located in the Saragozza district, about 3.5 km from the center of the city, it regularly hosts Bologna's home matches. With around 36,000 seats it is the eleventh Italian stadium for capacity, which can increase up to 55,000 for concerts.^[47]